Bringing the Past to Life

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Sink into stories from near and far in this Festival favourite event with Robbie Arnott, Yann Martel and Tasma Walton, in conversation with ABC Radio National’s Kate Evans.


Snapshot

When

  • Thursday, 21 May 2026 | 04:00 PM - 04:55 PM

Duration

55 minutes (no interval)

Location

Ross Family Studio

Synopsis

Glasshouse Port Macquarie and Mid North Coast Co-operative Library Service present:

Bringing the Past to Life

Novel and familiar stories of families across time

A favourite Festival event for historical fiction buffs returns with stories from near and far.

Robbie Arnott’s Dusk, set in the mountains of Tasmania, and Tasma Walton’s I Am Nannertgarrook, based on a true story from Tasma’s family, were both awarded the ARA Historical Novel Prize for their brilliant stories from Australian history. While Booker Prize–winning writer Yann Martel’s first book in a decade, Son of Nobody, features the discovery of a new perspective from the Trojan War.

Sink into these stories of the past with Robbie, Tasma and Yann, in conversation with ABC Radio National’s Kate Evans.

Relax, Refuel, Connect

Relax in our SWF Lounge between sessions and take the opportunity to chat and meet like-mined people. Tea, coffee, alcoholic beverages and light refreshments will be available for purchase.

Exclusive Offer

Present your Sydney Writers’ Festival ticket or VIP Festival Pass at Book Face in Port Central or Collins Booksellers Port Macquarie to receive a 10% discount* on books by featured authors in the Live & Local Program. This exclusive offer is valid from 10am Thursday 21 May to 4pm Sunday 24 May, 2026.

*Final discount and qualifying books at the discretion of Book Face and Collins Booksellers management.

Full Program Here(PDF, 3MB)  Book Day & Festival Passes Here

 

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Part of Glasshouse SELECT 2026 Theatre Program

Part of Education @ Glasshouse 2026 Theatre Program   

Bios

Robbie Arnott

Robbie Arnott is the author of Dusk, Limberlost, The Rain Heron and Flames. He has won the ARA Historical Novel Prize, twice won The Age Book of the Year, and twice been shortlisted for the Miles Franklin Literary Award. He lives in Hobart with his wife and children.

Yann Martel

Yann Martel is a Canadian writer, the author of a collection of short stories, a compilation of letters to a former Prime Minister of Canada and four novels, most notably Life of Pi, for which he won the 2002 Booker Prize. His latest novel, Son of Nobody, inspired by Homer's Iliad and the Trojan War, has just come out. He lives in Saskatoon, Saskatchewan.

Kate Evans Kate Evans presents The Bookshelf on ABC Radio National (with co-host Cassie McCullagh). She has a PhD in history, too many books and a tendency to over use post-it notes for fear of forgetting a beautifully-turned phrase.

Kate Evans

Kate Evans presents The Bookshelf on ABC Radio National (with co-host Cassie McCullagh). She has a PhD in history, too many books and a tendency to over use post-it notes for fear of forgetting a beautifully-turned phrase.

Booking T&C's

All Box Office bookings are subject to our standard Glasshouse Booking Terms and Conditions.

Purchase of a ticket is deemed to be acceptance of the following terms and conditions:

  1. Tickets are sold on behalf of the organisation or promoter and may be subject to additional conditions of admission to the event.

  2. The right of admission is subject to building entry conditions and will be enforced by management.

  3. Ticket holders enter the venue at their own risk. The Glasshouse will not be responsible for any loss, damage or injury arising from a pre-existing medical condition or due to breach of these conditions.

  4. Tickets must be retained and presented for inspection upon entry to the event. If a person is unable to produce a valid ticket to the event, admission may not be permitted.

  5. Advertised programs may be varied without notice. Artists may be added, withdrawn or substituted for performances and the right to vary prices, venues, seating arrangements and audience capacity is reserved by the Glasshouse and hirers.

  6. Prices are subject to change without notice.

  7. Tickets are subject to no refund or exchange. In some instances, such as cancelled events, refunds for performance tickets may be payable in accordance with the Live Performance Ticketing Code of Practice. Exchanges of tickets, or the replacement of lost, stolen or missing allocated seating tickets may be permitted under certain conditions and fees may apply. General Admission tickets will not be reissued.

  8. The Glasshouse reserves the right to charge transaction fees for bookings in addition to the standard ticket price as well as administration fees for tasks such as ticket exchanges, ticket reissues and other associated administrative tasks.

  9. Bookings are subject to availability and no guarantee is made that specific seating requests will be available at time of booking.

  10. The Glasshouse supports the official companion card program which is available for all performances at the Glasshouse, unless otherwise specified.

  11. Concession ticket holders must carry their concession card on their persons when attending an event, and if requested present such card as proof of concession. Inability to produce proof of concession may result in refusal of entry.

  12. Camera, video and audio recorders may not be used inside the Glasshouse, unless expressly authorised. Unauthorised use of these devices may result in eviction from the theatre. The Glasshouse reserves the right to photograph, broadcast or telecast any event.

  13. As the Glasshouse is a venue for hire, in some instances as the ticketing agent we may be directed to cap the number of tickets available per transaction, apply member discounts, enforce age restrictions, or other conditions surrounding the event, which ticket purchasers are required to abide by.

  14. Children under the age of 16 must be accompanied by a suitable adult or guardian at all times. Admission will not be permitted to anyone under the age of 16 who is unaccompanied. Children under the age of 16 must be seated with a parent or guardian.

  15. Children aged 18 months and over require a valid ticket to an event unless otherwise directed by the promoter. Where the promoter has not directed a variance in the age, children under the age of 18 months may sit on a parent’s lap free of charge.

  16. Where an age restriction or recommendation applies to an event, patrons will be advised accordingly. Under 18’s will not be permitted admission to an event that is Restricted 18+. The Glasshouse is not liable for any offence that may be caused by show content, where an age recommendation is in place, and has not been adhered to by ticket purchasers.

  17. Terms and conditions remain in effect even when the ticket changes hands. The reselling of a ticket or a breach of the terms and conditions, does not nullify the terms and conditions of the original ticket sale. Any subsequent ticket holder is bound by those terms and conditions.

  18. Ticket may not be resold for commercial packages or at a premium, nor may it be packaged or used for advertising, promotional or other commercial purposes unless agreed in writing by the Glasshouse. If a ticket sold is in breach of this condition, the bearer of the ticket may be refused admission.

  19. If a performance is cancelled due to an act of God, natural disaster, adverse weather or for any other cause reasonably beyond the Glasshouse’s control, there is no right of refund or exchange, and no obligation is assured by Glasshouse for the arranging of a substitute service, event or performance.

  20. All prices quoted are in Australian dollars and include GST unless otherwise specified.

  21. Gift Certificates are not redeemable for cash and are non-transferrable. Gift Certificates expire after 3 years from of the date of purchase.

  22. Latecomers may only be admitted to a performance during a suitable break or at a time as specified by the production company.

  23. Patrons who present as intoxicated or cause a disturbance to the production may be evicted from the theatre at the discretion of Glasshouse management and promoters. Patrons who are evicted under this clause will be subject to no refund or exchange on tickets.

  24. For information regarding ticketing of live entertainment and sporting events, or to obtain a copy of the LPA Code of Practice for the Ticketing of Live Entertainment Events in Australia contact the Trust or refer to www.liveperformance.com.au

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